CREATIONS

All Graphic Design Pieces

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All Graphic Design Pieces •ᴗ•

PNG Graphics

Coding Projects

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Coding Projects •ᴗ•

AlgoRave

Class: Live Coding

Project: Final AlgoRave, live coded glitch website with Hydra for visual component, Strudel for audio, syncing audio and visual components, using MIDI touchpad towards end of the performance

Tools: glitch, Hydra, Strudel, MIDI touchpad

Link to interactive site on Glitch: https://glitch.com/edit/#!/final-algoraveeeeeeee-acid-reflex?path=index.html%3A1%3A0

Whack-A-Mole

Class: Creative Coding

Project: Whack-A-Mole final project, with a coded game visual and physical whacking components

Tools: p5.js, Arduino Leonardo

p5.js code link

Changing Circles

Class: Creative Coding

Project: Created a screen animation with a loop of changing circles and ovals of all kinds and colors.

Tools: p5.js

p5.js code link

Beach Wave

Class: Creative Coding

Project: Created an audio visualizer of sound waves, using actual beach waves and a beachy song! Click the sun to start the beat :)

Tools: p5.js

p5.js code link

Rotating Rainbow

Class: Creative Coding

Project: Created a rotating spike ball with random lengths of stems and colors. Rotation direction and speed changes when you place your mouse on the screen.

Tool: p5.js

p5.js code link

Tom and Jerry

Class: Creative Coding

Project: Created a Tom and Jerry simulation using the lerp function in p5.js.

Tools: p5.js

p5.js code link

BALLOONYYYY

Class: Creative Coding

Project: Created a Balloony (from Phineas and Ferb) deflating game, where you have to click on Balloony to keep him from deflating.

Tools: p5.js

p5.js code link

Earth & Sun

Class: Creative Coding

Project: One of the first projects I created. This is an Earth rotating around the Sun simulation.

Tools: p5.js

p5.js code link

Photography

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Photography •ᴗ•

We Were Here

Recently, I went to Matera, Italy, one of the oldest inhabited cities in Europe. Matera is known for its beautiful stone structure and cave-like dwellings. It is known as Sassi di Matera, which directly translates to Matera stones. Visiting Matera was like going back in time and seeing these prehistoric structures that have survived for millenniums. I wanted to capture the essence of Matera’s rich history and the time it has stood on this Earth. So much time has passed, so many people have come and gone, but Matera remains solid and carries the presence of all the people who have been here.

 I scaled a mountain to find the city's best viewpoints, and during that journey, I came across markings on a wooden post of a bridge I needed to cross to get to the other side of the mountain. These markings were left by people eager to etch their names into Matera's history, using a variety of colorful markers to ensure the world would remember their presence. Upon clambering up the mountain, I found all sorts of caves that were weathered and had clearly been there for a very long time. I could see people’s scrawlings on the cave walls, made with sharp objects. No one dared to taint the cave with any sort of ink. I could also feel the soft dirt in the cave that kept every imprint of a person who entered; footprints are the earliest visible evidence of something’s presence. At the top of the viewpoint, I captured the first image, which is of Matera’s raw stone structure, seemingly untouched by humanity. This is how I see Matera at the beginning of time, seemingly untouched by humanity. My initial images show the transition from the past to the present, portraying the evolution from antiquity to modernity. Therefore, to conclude, I wanted to show the modern-day influence on Matera and how it’s evolved to become a lively tourist destination. Walking along the streets, I came by this one door that was so colorfully marked up by different artists’ graffiti and assortments of stickers and signs pasted to represent all sorts of people. All of these seemed like very modern-day markings. I captured the conclusion of my story at a tourist spot where many people gathered to take iconic Matera pictures. This is my evolution of “We Were Here”; a story of an old city that becomes new with all the different influences of people who have come and gone. I concluded my story at a bustling tourist spot, where masses of tourists gathered to capture iconic images of Matera. This is the essence of “We Were Here”: a story of an ancient city reinvented through the diverse influences of those who have traversed its streets, leaving their marks behind as they came and went.

If You Put Up a Wall, Think About What Remains Outside

The influence of large criminal organizations can create a stronghold that is almost impossible to break among the citizens residing in that area. This is the case for the people of Scampia, a neighborhood residing in Naples. Here, criminal organizations like the Camorra clan rose to power in the late 1900s, creating a fortress for the citizens and trapping them in their walls of control.

 When I first arrived in Scampia, I grappled with the question of how to convey the essence of this place. Scampia’s history is a powerful story of trapped individuals overcoming a powerful force and their journey toward recovery. Something I noticed while exploring Scampia was the feeling of enclosure that surrounded it. The architecture and the ambiance created a sense of imprisonment and loss of control. I took many frame-within-a-frame photos to try and show the idea of peering into the world of Scampia. My opening photograph is my favorite; the broken bullet-hole-filled window is the first frame and you are peering through the broken remnants of the past looking at what is present. We are looking at the past and present simultaneously through this photo.

I wanted to follow the first photo with the feelings of being trapped that plagued Scampia during the time of Camorra's control. We visited a school in the region that turned into a mafia weaponry-holding location during that time. It has now been turned around and is full of reminders of Camorra. The transformation of a location once dedicated to educating young children into a facility co-opted by the Camorra clan is deeply unsettling. Walking around the area of the school, I came across many eerie fences and barbed-wire-inclosed spaces. Some of these fences had remnants of life. One of the scenes I captured showed a turned-over baby crib through a fence. The crib’s lonesomeness through the fence reminded me of the loss of childhood and innocence, which was portrayed many times throughout the visit to Scampia. Moving away from these confinements, photo 6 marks the departure from the notion of bars and frames keeping you from the view. It allows us to actually go inside the homes of those who endured the mafia's rule: the infamous Sails. Witnessing and learning about history from the outside is extremely different from stepping foot into the very environment where it unfolded.

 Emerging from the external perspective and into the imprisonment that was Scampia, you become aware of the aftermath of what happened. Children who lived through these dark times had to endure the loss of their schools, education, and innocence. Deprived of the chance to grow up with a stable education and a nurturing upbringing, some Scampia residents were forced to engage in illicit activities as a means of survival. This loss of innocence was particularly prominent in the school we visited. The streets were littered with remnants of childhood: discarded toys, kids' snacks, and abandoned school items. These pieces seemed to linger, scattered in every direction.

 However, the remarkable part of this story is the resilience of the community. After the Camorra's power was largely dismantled, dedicated volunteers in the community came together to transform the school's surroundings. They created beautiful murals on the walls, incorporating the debris left behind by the mafia. This act of artistic defiance and transformation symbolizes the beauty that can emerge from broken remains.

 A powerful message was spray-painted on the walls of the Scampia Sails: 'If you put up a wall, think about what remains outside.' This message, to me, was interpreted as building walls doesn't solve the problem; it merely contains it. The public housing project of the Sails, created by the government, failed to execute its mission correctly, allowing the Camorra to infiltrate and thrive. The story of Scampia is not just one of enclosure and confinement; it's a story of hope, resilience, and the human spirit's ability to rise above the darkest of times.

A Hero’s Journey

Mountaintops and high peaks hold a unique allure, drawing people in with the promise of a profound human connection. While hiking the Dolomites over the weekend, I could feel a sense of pure bliss and serenity. Even in the quaint, little towns nestled beneath these towering giants, I felt safe in their protective embrace. Even the thought of the long trek towards the summit didn’t frighten me; in fact, I felt quite comfortable in the natural splendor of it all.

 The photographs I took on this trip are inspired by the master of black-and-white landscape photography and environmental activist, Ansel Adams. His photographs are known for capturing the pure beauty of the natural world, evoking deep emotions. His use of black-and-white in his photography better captures the intricate shapes and textures of the landscapes he immortalized through his photos. Throughout my own photographs, I wanted to convey the same emotional and environmental impact Ansel Adams’ photos did.

My photos follow the journey to the summit of the Dolomites. I wanted to capture what it was like seeing these tall, looming mountains from the distance, which depicted through photo 1. When I started my ascent to the top, I wanted to show how the mountains become more tangible. These ginormous creations of nature look so near but are still so far: vastness and proximity coexisting. This was the feeling I wanted to create with photo 2.

Of course, no expedition comes without its challenges. I was wildly unprepared for the freezing temperatures of the mountains and the slippery paths that came with it; I slipped one too many times. Photo 3 features a person slipping on the slopes reaching the summit. The foreboding clouds and dark ridges in the backdrop encapsulate the perilous reality of these breathtaking natural creations. When I finally reached the top of Seceda Ridge, a prominent peak in the Dolomites mountain range, I felt like I had ascended to the top of world. The jagged slopes were right at my fingertips, and I was looking at everything below me that I had traversed over to reach the top. Those were the feelings I wanted to represent with photos 4 and 5—the satisfaction of reaching your goal and looking back on all that you had overcome to get there.

 At the summit, I saw something striking: a huge shrine of Jesus on a cross. Its solitary presence atop the mountain radiated a sense of power and strength. I understood why this was put here, and I could feel its resonance within me as well. Despite not growing up in a religious environment, there are moments when, regardless of one's upbringing, a spiritual connection to the Earth and a higher power is felt. Many have scaled high terrains in pursuit of this connection. Sometimes this journey is what one might need to find solace in whatever hardships they are facing in their lives. No matter the reason, a journey like this one is taken for purpose. The journey is hard and not without its hardships, but when you finally reach the top, you find exactly what you are looking for.

The World in Focus

No story here. Just close ups :)